Critical Theory

I study media and how we create, share, interact with, and are sculpted by stories. I research how media shapes our environments and governs how we interact with them. My primary focus since 2019 has been examining everything through the lens of Critical Theory. Because it’s my work, I get to see firsthand when people incorrectly define theories and terms or extrapolate ideas or dismiss knowledge without understanding. Recently, it seems that Critical Theory, and its subcategory Critical Race Theory (CRT), have gained attention quickly, and become trigger phrases. I’ve seen it inserted in titles for articles and videos as clickbait even when the content has very little to do with it. And it works because people get outraged and click and post and repost. But here’s the meta reality: the fact that Critical Theory is even debated is proof that Critical Theory is a valid explanation of the systems and environments around us. If we’ve created an environment where we debate Critical Theory, it means we’re critical of our environment. 🤯

I’ll start with this: theories are not facts. They’re based on patterns and the convergence of multiple factors. They’re grounded in research and testing and definition. We cultivate theories as ways to explain the world around us. We recognize their limitations. We also see their potential. Critical Theory is just one of those explanations. Because I’m a researcher, I understand that definition is key establishing a foundation everyone can understand. And because I haven’t seen a consistent definition, I’m going to create one. For that, we need to look at some history. 

Item 1: the Frankfurt School. I think Critical Theory seems dangerous for people because it’s been quickly labeled as Marxist. It’s become a way of shutting down conversation. Max Horkheimer and Theodor Adorno were prominent thinkers that have helped shape Critical Theory. Both used the theory to explain Marxism failures, so the connection is there, but the Marxist label is unwarranted. Because here’s what the theory does: it forces us to examine our environments and question how we interact with them. It points to the things we’ve taken for granted or the patterns of behavior that we’ve gone along with and make us look at the reasoning behind it. Theories help construct worldviews and cultivate our identities, rather than the other way around. Claiming a theory takes on an independent identity is a bit of a stretch. An explanation is a result rather than a cause.

While more of a technology theorist than a Critical Theorist, Marshall McLuhan adds a little bit more to our understanding of Critical Theory. He presents the observation that “we create tools that control us.” McLuhan’s research was based on how we communicate and the channels we use and how they affect the meaning of messages we create. He was a communication scholar, but the broader implications of his ideas highlight how we interact with the things we create. The initial driving force is our ability to make life better for ourselves: inventing a new tool, developing a new process, or organizing a new system, but the underlying motivation is control. We want to create and be in control. But McLuhan poses the opposite: that the things we create end up controlling us. The shift happens when the things that we create become integrated into our lives. This is not some new revelation. We know that “first we form our habits, then our habits form us” (John Dryden). And control is fickle.

McLuhan had a deeper understanding of this from a communication perspective. If we use tools to help express ideas and those tools change the meaning of our ideas, then we have to reexamine how we present those ideas and with what tools. Even though McLuhan wasn’t around for social media, it makes a good example to illustrate what he meant. We currently exist in an environment where a very large portion of the population can create messages and distribute them ad nauseum with all of the tools available to us in the digital sphere. Because of the sheer amount of content, it’s difficult for individual voices to stand out and be heard. As a result, the voices have adapted. Now, the voices that can make themselves louder and more outrageous are the ones that stand out. We’ve changed the language we use and adopted attention-grabbing tactics. Even still, people whose voices need to be heard may not get the opportunity to do so if they’re not matching the formula needed to stand out. In the end, the tools we create end up controlling us.

This is a very prominent example of how a (digital) environment that we’ve created actually dictates how we interact with that environment, which is a Jürgen Habermas explanation of Critical Theory. At the heart of this explanation is still the concept of control. Just like with the tools that we create, Habermas suggests that we create systems, institutions, organizations, corporations, and other types of large establishments that are initially really good solutions to very real problems, but once we become embedded in them, they control how we interact with them.

Here’s an example: many private universities are funded by endowments, which are large, conditional donations that become invested and generate perpetual interest. The universities then use that interest to fund their programs/research and sustain certain operations. These endowments also impact the ranks that certain universities hold. As a result, “wealthier” institutions attract pupils with wealth advantages, and when those students graduate, they donate right back to the same schools. This is a continuous cycle.

The problem is that endowments are an illusion. Wealthier schools aren’t necessarily better. They might be able to provide more elaborate cafeterias, campuses, and dorms, but those things don’t invest in the students’ educations. Smaller or newer universities that don’t have such large endowments or inflated reputations have been purposely constructed to cater to minority, low-income, or immigrant students. And because they invest in the students directly, they have higher graduation rates and less program transfers. They just don’t get the same kind of recognition. While we’re aware of the flaws in higher education, the system isn’t that easily influenced. Sure, we can choose not to attend certain large universities or donate elsewhere, but that doesn’t dismantle the system or level the playing field. Students will still flock to the universities that have wealthier resources and higher rankings. Malcolm Gladwell has done some incredible research on this and presents it in Revisionist History, which can be found here.

For a completely different example, I’d like to present: deodorant. Though overgeneralizing, let’s examine deodorant as a global product. We’ve created this product that we’ve marketed to everyone, and that has become ingrained in our way of life. Everyone wears it. And it’s obvious when someone doesn’t because we react to those people in a particular way. Maybe we ostracize them or hint at them, but ultimately, we make it clear that they are not behaving according to constructed norms. And yet, this has not always been the case because there was a time before deodorant. We’ve created an environment where everyone wears deodorant and the fact that everyone wears deodorant drives people to purchase more and continue to wear it. From a Critical Theory perspective, this points us back to control. We think that we have control over our bodies and our decisions, but we really don’t. All of that control belongs to the environment that we created. We can choose not to wear this thing (and some do), but the result is being socially punished. The environment sustains itself until changes are made to the environment.

Ultimately, I think it’s hard to reconcile how Critical Theory tries to explain our quest (and failure) to hold control. It seems control has a negative connotation that people would rather avoid. In Christian communities, striving for control has deeper faith implications, and it’s possible that people don’t want Critical Theory to point out these power struggles. After all, the church perspective is that God is ultimately in control and suggesting that we try to fight for even a sliver of control can be objectionable. (For thoughts on control, I invite you to read Tim Gombis’ work here.) Even outside of religious circles control has a negative connotation because control is often equated with power. That’s a whole other essay, but I think the distinction is important.

And now we’ve come to Critical Race Theory (CRT). Though a branch of Critical Theory, it still focuses on this paradox of control. I’ve heard people attempt to define it as a legal framework and as a cultural theory that focuses on oppression and while those are correct, they are incomplete. CRT merely takes Critical Theory and presents race as additional criterion to analyze some of the environments we find ourselves in. It inspects how the environments we create affect how different race groups interact with those environments.

Here’s an example: many companies require people to apply for jobs through internal portals online by filling in résumé information and a common question that’s included asks applicants for salary history. Many make it a requirement to list amounts in specific fields in order to proceed with the application. The problem is that if you disclose that amount to a prospective employer, then the employer can cite your salary history when presenting a job offer even if the predecessor in that company was making more. This means that people in particular racial (or age or gender) demographics, who are earning less, have to answer this question in order to apply for new positions, but are ultimately stuck in the same pattern because they are offered consistently lower wages. While they can ask for raises or negotiate, the foundation is already there for their disadvantage. The obstacle is inherent to the system and it’s irrelevant to present a work ethic/motivation/education argument because it doesn’t address the existing obstacle.

If we reflect on the history of this practice, it’s understandable how recording salary history may have once been a way for companies and organizations to compare salaries in the past, but presently, we have more resources now and this system creates more harm than good. There. We’ve just engaged in a CRT analysis. We’ve taken a historic pattern of behavior, dissected the reasoning for its establishment, identified how certain racial groups could be harmed by it, and formulated a conclusion as to why this practice is no longer necessary. This is a pretty mild example where there is very little at risk and no harm to any other groups, but that’s not always the case. It’s understandable that people bristle around the mention of CRT because they feel like it would be detrimental to them or disrupt their way of life or veer the conversation into reparations territory (and it might), but all of those things are subsequent. Any analysis is going to present pros and cons, but dismissing an entire way of thinking isn’t helpful to anyone.

There’s one more side we need to examine: it’s jarring for people stuck in cyclical patterns to think about how stuck they are, and it might explain why people perpetuate the rhetoric that if you just work hard enough, you can restructure your life. Again, this brings up the struggle for control. We like to believe that we are in control over our lives and not dwell too much on the external forces that either work for or against us. While motivation is vital to bettering life, ignoring the role of environment and man-made systems doesn’t paint a complete picture. We often assume that environment is about immediate family, neighborhood, and support systems (like schools and churches), but it’s often much larger and isn’t unique to individuals. This means that it’s bigger than a particular person or family or community that are outliers in the general pattern to prove a point. 

CRT specifically seems to be getting a lot of backlash from all sides because it creates a spotlight people aren’t comfortable with. And I think that’s valid. People who are just trying to live their lives maybe don’t want to feel like study subjects and that’s exactly how we’re making them seem. That’s why it’s important to recognize how CRT stems from Critical Theory, which doesn’t isolate groups. It is used to explain a wide range of behaviors in a wide range of environments. It becomes a lot harder to dismiss if it focuses on patterns of behavior. We all exist in environments that dictate how we interact with those environments. And we all need Critical Theory to question why we do what we do.

Here’s what I think is most important to remember: everything is much more complicated than it seems. Us attempting to simplify issues and generalize solutions literally plays into the definition of Critical Theory, because it means we are continuing to grasp for control over systems, and explanations of those systems. It doesn’t matter that those systems may have been constructed before we were born. We can combat this by listening to people whose opinions are different from ours (and sometimes that’s hard to do because our environments don’t let outside voices in). We can stop individualizing experiences (our experiences are not the same as others’). We can watch for trends over time (and see how our environments are changing). We can stop creating and refuting strawman arguments for people and listen to the actual arguments. We can think about possible outcomes in the future.

I want bring the end back to where we started. Critical Theory is just one possible explanation of the bigger picture. People who argue that it is dangerous can literally make that argument for every other way of thinking. People who want to bar it from being taught in schools because they view it as indoctrination are missing the clues that are in the name. It seems that everyone is pro critical thinking, but not Critical Theory. The biggest threat, however, is either mocking or fearing that which we don’t understand. The internet is flooded with people who are oversimplifying the theory, making erroneous analogies, or simply refuse to address the theory for various reasons. The result is awareness, but no unified understanding. (For more about how we muddle meaning in our methods of communication, feel free to read Glitches in Communication here).

We know that we live in a broken world and no system that we can create will be perfect. Don’t we care if someone is struggling? Particularly if the struggle is caused by a system that we created? Why are we so quick to become defensive? I can see why it feels scary. It’s new. It forces attention. It initiates change. It makes us uncomfortable. Defensiveness seems like a natural reaction, and even that can be analyzed with Critical Theory…

 

Communicating with Meaning - Guiding Questions

Audio/visual/written content and events are tools to help distribute a message. Before constructing content, it’s important to craft a message and then use content to bolster and distribute the message.

 General Purpose/Mission:

·      Why does this project/idea/organization exist?

Values:

·      What are 2-3 collective values held by the people involved?

Message:

·      What are we trying to communicate about the mission and our values going forward?

·      How does this message tie back to the general mission?

Long-Term Goal:

·      What concrete goal do we hope to achieve in 5 years?

·      In 10 years?

·      How does this goal help reinforce or communicate the values of those involved?

Short-Term Goal:

·      What do we hope to achieve in the next month?

·      In the next quarter?

·      In the next year?

·      How will these goals help achieve the long-term goal?

Audience:

·      Who is the audience? (There can be multiple groups, but they need to be specific: age group? Characteristics? Relationship to other groups?)

·      Is the mission centered around a current audience or a new target audience we hope to reach?

·      What is this audience group interested in?

·       What is this audience group interested in? Does the content match the interest?

Content:

·      How can we translate group interest into engagement?

·      Is there an event or series of events (physical/virtual) that can be created around this interest?

·      What content can be used to support this event/series?

·      Is there a “voice” that the content must have? (If multiple people create content, will it seem cohesive?)

·      What are the resources we can use to create content? (Time? Budget? Equipment? Skills? Software? Connections?)

·      How is the content connected? To other content?

·      Can this content be adjusted to fit a particular platform? Can it be reused? (like an announcement that can be posted several times with no changes)? Can it be reedited (like a video shortened to a GIF)?

Platform:

·      What is the best platform for content specific to this audience? (Where will this audience most likely see the content we’re creating and engage with it?)

·      What is a reasonable timeline for posting on this platform (or select platforms)? Once per day? Once per week? Just for informational updates?

·      How much time can we dedicate to engaging on this platform (other than posting) per day? Per week?

Engagement:

·      How are we defining content “success?”

·      What metrics are most useful to us? Why? What are the metrics saying about the content? About the people who are engaging?

·      Are these metrics available on the platform we are using or are additional tools needed? What is missing from this data?

·      What kind of virtual or actionable response are we trying to elicit from our audience on this platform?

·      What kind of response are we actually getting?

·      Is the in-person response different from the virtual response? Why? Is it coming from the same people?

·      At what point should we reexamine content or change direction?

·      How quickly do we move from campaign to campaign?

·       How do we gauge content overload?

·       Who are the main people engaging? Are these people important?

·       How can we get these people to share out content with their circles of influence?

Everything we create has a purpose. We often talk about media as an abstract force with no mission and no direction. Any medium, however, solely helps transport ideas and messages. As a result, we need to focus on what we wish to communicate and the steps we need to take to get there. 

 

 

 

Glitches in Communication

Normally, I wouldn’t chime in, I would just quietly observe and identify patterns. But I am a communication scholar and the patterns that I currently see all point to one communication problem: we are oversimplifying the concept of communication. We think that if we mute certain voices, we will be able to amplify others. We don’t know how to ask the right questions. We fail to account for experiential bias. We don’t choose the right medium to match the message. I’ve even heard people say, “Just listen. it’s not that hard.” These things are all oversimplifying what it means to communicate. It is that hard. If you think it’s easy, it just means you only have one group of people in your life who communicate in a homogenous way. But communication doesn’t work like a formula. It’s not going to give you the same result if you keep applying it in the same way.

It’s not enough to carefully craft a message. At the very basic SMR (sender, message, receiver) level, you’d be discounting the role of the sender and the receiver. Different perspectives, experiences, backgrounds, etc… all lead to different interpretations of the same message. Probably the most controversial example I can come up with is President Trump’s 2016 campaign slogan, “Make America Great Again.” For those who remember, it caused a lot of problems even though it was a concise, simple message. The disconnect was in the communication between the sender and the millions of receivers. Some people saw “America” as only representative of one group of people, so the message became an aggravator. Some saw “great” as an allusion to imperialism and not a symbol of pride. Those who have been marginalized and discriminated against had a difficult time interpreting “again,” because they never saw America as great to begin with. In the end, while the message was probably intended as a unifying slogan, it received a muddled response. One side saw the message negatively and responded accordingly. Senders of the message were confused by the negative response and assumed a lack of national pride.

In order for a message to be received as intended, we need senders to consider the interpretations of the receivers, but we don’t like to think about that. We assume that the responsibility of understanding should be on the receivers because crafting a message is hard enough. In reality, the responsibility to consider the senders and receivers regardless of the message should be on both sides. That’s hard, but I’m going to make it even harder.

What about the message? Isn’t that where the information is? Yes, and also, kinda. The message itself is only a small part of the communication process. I quote Marshall McLuhan a lot because he’s defined the medium as the message. The truth is that how we choose to distribute the message adds to the meaning of the message. For example, I’m delivering this message in a written format, even though I could have chosen to create a video or a podcast or just verbally deliver it to a group of people. Each one of those options changes the message in some way. But there’s something else: my choosing to make this a written message means that I’ve actively rejected the attributes of meaning that another format could have contributed. Another format would have made this message more visual or audible, which would have added another layer of understanding to the receivers. Basically, this format only caters to the best way I can communicate.

Ok, so the medium changes the message, but we also need to talk about the platform. That changes the message too. All of the formats that we talked about can be disbursed in a variety of ways. If I use myself and this message as an example again, I can note that this was published on my platform where the context adds meaning and identifies me as a critical thinker who has other platforms. There’s no commenting section, so receivers can’t engage. There’s also the note that only people I share this with are likely to see the message, which means I’m limiting my audience. Am I communicating? Sure, but I’m not allowing a lot of room of discussion, so it might not be very effective if I’m not presenting opportunities for feedback.

Collectively, my message, medium, platform, and audience are all intentional, but I also want to talk about the role of feedback. Earlier, I referenced how different perspectives, experiences, backgrounds, etc… all lead to different interpretations of the same message. For the most part, it’s difficult to account for these, unless you know people very well. Feedback helps define some of these missing pieces. The problem is that many people are choosing to disburse messages without providing the option for feedback (myself included). Here’s the important thing I wish people would realize: feedback helps change the message as well. I don’t think telling people to “just listen” is an effective communication tool when it comes to difficult topics. Meaning is cultivated mutually (and we can talk about semantics and hermeneutics and epistemology later).

If we’re explaining a difficult concept to someone and skipping over key details because we assume they’re already understood, we’re confusing people. In their confusion, the receivers may assume that we don’t really care about their understanding and that the difficult concept that we’re explaining is probably not worth understanding anyway. The opposite can also be true. If we’re overexplaining a difficult concept because we assume receivers aren’t familiar with any parts of it, we can be alienating the audience. Receivers may assume that they already understand most of our message and we have nothing more to contribute. There’s not really a way to solve this issue without feedback. We need some kind of cues that receivers are listening, processing, connecting, engaging… But if we open that door, we could be met with criticism, backlash, and judgment. It just feels easier to rely on the message to do the work.

In conclusion, communicating is difficult and very complicated. I’ve crafted studies, ethnographies, earned degrees, created content, read, discussed, and debated. I’m still not an expert. My biggest fear is that we’re going to fight and argue and miscommunicate because we don’t understand communication. We blame a wide variety of things and then we attempt to resolve those things (and sometimes those things are serious problems that need to be resolved), but we don’t really contribute to knowledge or understanding that could help us in the future. With any new problem that comes up, we’re going to respond the same way and then we’ll get frustrated because it all seems so clear from our perspective and we can’t find a way to make the other side see it that way.

There’s not really a resolution. We just need to admit that communication is complex. There are a lot of models. Some don’t work. Some only work in certain contexts. Some are being misused. There is a lot of room for things to go wrong. It’s frustrating. So please stop yelling.

Ukrainian Alternative Media

 Since 2013, Ukraine has steadily appeared in the news. Protests, the Russian invasion of Crimea, the political unrest, the economic struggle… Aside from the international coverage, citizen-produced, alternative media for Ukrainians says much about internal perspective, but also presents a good example of how people utilize media to communicate amongst themselves.

 Ukraine has a complex history, which includes a 1991 independence from the Soviet Union, where Russian culture dominated all aspects of life. To this day, both Russian and Ukrainian are spoken, which creates a linguistic conflict. For example, in 2010, Alla Nedashkivska conducted a study of media texts consumed by Ukrainians. Her findings spoke to how people cultivate an identity through content they consume. People who aligned themselves with Russian or Ukrainian mainstream media were essentially choosing a side. This was a clear sign that mainstream media did not represent people as a whole, but often became divisive. In general, the media landscape in Ukraine today mostly consists of private owners, so there is not one central power regulating content. However, the profit motivation creates a barrier in the authenticity of content produced.

In 2016, Dariya Orlova also conducted an analysis of the Ukrainian media evolution where she noted the disconnect between media outlets and the people. Her explanation is the “Soviet Legacy,” which she defines this way: even with the freedom to tell stories that would better represent people, content creators may still feel restricted because of previous training and the regulations they’ve grown accustomed to. 

The citizens aren’t blind to these issues. Since 2013 in particular, there has been an increase in citizens producing media for themselves through content that can be classified as “alternative media.” This particular class of media arises from content creators (often professionals) who are dissatisfied with media options available to them. They still care about quality and cohesiveness. They aren’t using an open, public platform to ramble or complain; their intention is to produce high-quality content for people to engage in. While they are the driving force, however, suggestions and inspirations come from within the community. Emails, letters, and calls from the public are frequently referenced in content, emphasizing citizen engagement and making people feel as if their voices are heard. The engagement of citizens speaks to the power of alternative media. Content is less focused on the “facts” of events, but rather on the opinions of the people regarding those events. This isn’t necessarily biased. Since content is used to spur discussion, information is not promoted as “fact.” Actually, it exhibits what Orlova calls “a cultivation of an identity” in that the inclusion of various, honest opinions helps people frame their own perspectives. Because these stories come from the people, polls often act as the evidence supporting news stories. This is different from mainstream media, which frequently utilizes the opinions of “experts” to legitimize stories.

One of the most notable contributions alternative media made to social change was exposing the flaws in mainstream media and drawing attention to the influencers, such as government leaders who own branches of “independent media channels.” This exposure emphasized how they could be using mainstream media to benefit their own platforms, even while they claimed their ownership is because media outlets are profitable.

The biggest effect on social change is linked to the timing of content released. Because alternative media outlets do not consistently churn out content, they are able to draw attention when they do. This trend mimics the way social movements gain traction. Alternative media is always produced by people, but is strengthened when a certain issue requires a lot of attention

While alternative media can be a powerful tool, it is not without limitations and challenges. The biggest challenge, of course, is funding. Traditionally, alternative media is supported through crowdfunding initiatives, but this model is unstable and inconsistent. Because content fluctuates as issues become more or less relevant, support is not constant. As a potential remedy to this, Orlova outlines the use of foreign grants to support the production of alternative media. However, this solution is not ideal as it opens doors to international influence for citizen-produced media. It is also inconsistent and not a long-term solution. 

The other challenge is the inherent medium limitations. Often, social media sites become the launching platform for alternative media outlets, but this option is fraught with government restrictions, as well as restrictions by the actual platform. Independent platforms are a solution, but they limit audience exposure without additional promotion. Online platforms also present an audience limitation since people don’t read news as a group, so often, only one person is engaged at a time.

In the end, we are left with this paradox: alternative media outlets need support to produce content, but are only able to produce content when they have substantial support.

An Analysis of the Dystopian Television Trend and Christian Identity

As a media researcher, I analyze content we produce and what it means in regard to our cultural moment. Television trends in particular, show cultural patterns and reflections of popular opinion. The storytelling format acts as both social commentary and a tool for mobilizing audiences for action against the status quo. We have tons of data about who watches what, with whom, at what time, and so on. As a result, content produced for television mimics audience demand. In about late 2016-early 2017, there emerged an undeniable trend in television content: shows crafted around dystopian realities. As a result, I decided to investigate where this audience demand came from, what it was communicating about our cultural identity, and how it impacted the Christian worldview. This is a condensed version of that analysis. 

Historical Framework:

The content we see on screen simultaneously cultivates our culture and is also driven by its demand. While it both shapes and is shaped by us, it also dictates how we interact with the environment we create (Jügen Habermas). The medium we choose to carry our message also influences our message (Marshall McLuhan). After a while, the things we create replace the “real” in our environments because we are better able to control them (Jean Baudrillard). This is a concept we now call Critical Theory. To me, this was a helpful tool in understanding the driving cultural forces behind the dystopian television trend.

Throughout television’s history, we can follow specific trends in content, as television takes part in social and cultural development. As culture changes, we find that certain shows rise to the top as popularity drives content consumption (advertisers have a lot to do with this). In the past, audiences viewed television content through the lens of escapist entertainment. In the fast-paced world driven by stress, the appeal to viewers was a glimpse into the life that they are not living and a distraction from their modern problems. The 2015 campaign of #oscarssowhite, however, made it apparent that we now have a new trend of viewership: representation. Audiences are no longer viewing entertainment as a way to escape reality. Instead, they see it as an extension of reality; characters similar to them, in similar situations, and with similar problems. Therefore, if we are captivated by dystopian worlds and view television through the lens of representation, then dystopian shows are popular because we believe our reality more closely resembles a dystopian existence. If we reexamine the time period for late 2016-early 2017, we find it was fraught with events that shook the core of our social structure. There was political unrest, veiled injustices, environmental worries, and a jarring incorporation of progressive technology that engulfed our way of life.

Within shows like The Handmaid’s Tale, Orphan Black, iZombie, The Man in the High Castle, The Walking Dead, The Last Man on Earth, Westworld (and so many others), there’s a pattern of protagonists who are surrounded by circumstances that are beyond their control that spiral into complete destruction. The popularity of these shows suggested that viewers looked to these characters for guidance. Afterall, when found in a reality we couldn’t control, the best thing to do would be look to someone we 1) identify with and 2) who is in a similar situation. With this link in mind, I traced the pattern of how characters in dystopian shows interacted with their environments. 

Dissecting the Dystopian Television Series Motif:

From within dystopian series, we can extract similarities of scarce environments, political unrest, and abhorrent circumstances, which are all thrust upon the protagonist and that are beyond their control. This depressing state acts as a trigger for intense character development, making it a powerful storytelling tool that captivates the audience and lends space for comic relief. From analyzing some of these shows, the pattern of character engagements fit into several categories: succumbing to defeat, sacrificing all for dramatic change, or choosing to live in their new reality as if it was of their making. Some of the minor characters choose defeat and audiences quickly lose interest. Protagonists who choose to sacrifice all find that a dystopian reality is too great to change, even with supporters and optimism (this makes for some fun storytelling but is not great for connecting with audiences). Characters who choose to own their realities garners greater viewership. The appeal of this social dystopian story structure comes from seeing the way protagonists navigate unfavorable circumstances and remain resilient. Their ability to relinquish control and chose that which they did not chose creates a powerful narrative for viewers to follow. This type of story structure offers a catharsis for audiences.

What makes dystopian storytelling so effective is the clear depiction of good versus evil, though they would not be recognized as such in the real world. In fact, often the rigid system of order and control and those who maintain it are seen as the villains. It’s even more astounding that the characters fighting that order are viewed as the heroes in the plotline, whereas in real life, we refer to disturbers of order as lawbreakers or criminals. Even though dystopian themes overtly proclaim the difference between good and evil, they also suggest that villains are victims of ideas that fuel their villainy. In the end, dystopias question ideas and inspire viewers to do the same. What audiences experience is cognitive estrangement, or the ability to see things from an outsider’s perspective. The value in this concept lies in the perspective change. It’s often easier for people to objectively examine situations that they are not part of. By observing a fictitious show, it is possible for viewers to walk away with a fresh perspective of their own lives and the circumstances that surround them. After all, the goal of all art is to leave people changed in some way and television is still a form of art.

Employing the Dystopian Schema in Forward Thinking and Establishing Christian Identity

Dystopian societies often campaign divided communities because they are driven by fear. In them, it is difficult to find social balance and advocate good governance. Our ability to govern for the benefit of others has to come from an established individuality and a genuine care for others in the same circumstance. Just like a spiral into dystopia begins with unnoticeable changes, its reversion can also be initiated with incremental changes in daily activities.

For the Christian subculture, this means we change our perspective. We acknowledge that this world is broken and that we can’t fix it. What we can do is fight for justice, simplify our distractions, and most importantly, learn to choose what we did not choose. Often, it’s easy for us to display outrage at our circumstances or feel defeated when we have no control. If dystopian television teaches us anything, it’s that we don’t always control our realities, but we can control our responses. Often, that means relinquishing control and choosing to live as though we chose our unfavorable circumstances.

Welcome

Because we now have SO MANY methods of communication, it's easy for information to get lost or muddled. How we communicate about religion, identity, and humanity is particularly risky. While media is a major part of the problem, it can also be a good solution to the way we present information to people in an intriguing and memorable way. So sit back, relax, and scroll through JenyaWorks musings on how media alters the landscape of tough issues around us.

SPOILER ALERT: You may get #triggered